In this painting, which resembles a triptych, we can interpret a duality: the feminine element represented by a sienna-colored coat, and the masculine element by yarn and three organic figures waiting in a room, or perhaps an altar. It could be that the religious is disguised as the everyday.

在這幅具備三聯畫結構的作品中，隱喻著一種雙重性：雌黃色大衣象徵著女性元素；而紗線與三個在房間內或祭壇前守候的有機生命體，則代表著男性元素。這或許是一場將神聖宗教隱匿於日常之中的視覺偽裝